Fabula is an international medium of discussion for all issues relevant to historical and comparative folk narrative research. The journal contains eight sections: articles, shorter contributions, research and conference reports, information, reviews, bibliographical notes, books received, announcements of the ISFNR. The article section deals with the study of popular narrative tradition in its various forms (folktales, legends, jokes and anecdotes, exempla, fables, ballads, pictorial media, contemporary genres) and with the interrelationship between oral and literary traditions. Interest focuses on Europe and its spheres of influence, which does, however, not exclude contributions from other cultural areas.
This is a full Open Access journal, which means that all articles are freely available online, ensuring maximum, worldwide dissemination of content, in exchange for an article processing fee. For more information, see our Open Access Policy page.
Fashion Theory takes as its starting point a definition of ‘fashion’ as the cultural construction of the embodied identity. The importance of studying the body as a site for the deployment of discourses has been well established in a number of disciplines. Until Fashion Theory’s launch in 1997 the dressed body had suffered from a lack of critical analysis. Increasingly scholars have recognized the cultural significance of self-fashioning, including not only clothing but also such body alterations as tattooing and piercing. Fashion Theory provides an international and interdisciplinary forum for the rigorous analysis of cultural phenomena. Its peer-reviewed articles range from foot-binding to fashion advertising.
Feminism & Psychology is an international peer reviewed journal that provides a forum for debate at the interface between feminism and psychology. The journal's principal aim is to foster the development of feminist theory and practice in and beyond psychology. It publishes high-quality original research, theoretical articles, and commentaries.
Feminist Economics is a peer-reviewed journal that provides an open forum for dialogue and debate about feminist economic perspectives. By opening new areas of economic inquiry, welcoming diverse voices, and encouraging critical exchanges, the journal enlarges and enriches economic discourse. The goal of Feminist Economics is not just to develop more illuminating theories but to improve the conditions of living for all children, women, and men. Feminist Economics: * Advances feminist enquiry into economic issues affecting the lives of children, women, and men * Examines the relationship between gender and power in the economy and the construction and legitimization of economic knowledge * Extends feminist theoretical, historical, and methodological contributions to economics and the economy * Offers feminist insights into the underlying constructs of the economics discipline and into the historical, political, and cultural context of economic knowledge * Provides a feminist rethinking of theory and policy in diverse fields, including those not directly related to gender * Includes cross-disciplinary and cross-country perspectives Peer Review Policy: All articles published in Feminist Economics have undergone rigorous screening through an anonymous peer review process.
Feminist Media Studies provides a transdisciplinary, transnational forum for researchers pursuing feminist approaches to the field of media and communication studies, with attention to the historical, philosophical, cultural, social, political, and economic dimensions and analysis of sites including print and electronic media, film and the arts, and new media technologies. Feminist Media Studies especially encourages submissions based on original, empirical inquiry of the social experiences of audiences, citizens, workers, etc. and how these are structured by political, economic and cultural circumstances. The journal invites contributions from feminist researchers working across a range of disciplines and conceptual perspectives. Feminist Media Studies offers a unique intellectual space bringing together scholars, professionals and activists from around the world to engage with feminist issues and debates in media and communication. Its editorial board and contributors reflect a commitment to the facilitation of international dialogue among researchers, through attention to local, national and global contexts for critical and empirical feminist media inquiry.Peer Review Policy:All research articles in this journal have undergone rigorous peer review, based on initial editor screening and anonymous refereeing by at least two scholars. DisclaimerTaylor & Francis makes every effort to ensure the accuracy of all the information (the 8220;Content8221;) contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.
Feminist Theology is a peer reviewed journal that does not restrict itself to the work of feminist theologians and thinkers in Britain and Ireland. Feminist Theology aims to give a voice to in matters of theology and religion. Feminist Theology, while academic in its orientation, is deliberately designed to be accessible to a wide range of readers, whether theologically trained or not.