Journal Guide

Japan Forum, the official journal of the British Association for Japanese Studies publishes original research in the multidisciplinary field of Japanese Studies, with articles in subject areas ranging from archaeology, language, literature, philosophy and culture to history, economics, politics, international relations and law.Submissions from younger researchers as well as from established scholars are welcome, as are submissions which cross disciplinary boundaries or do not otherwise match the subject areas listed above. All submissions are independently referred.Peer Review StatementAll research articles in this journal have undergone rigorous peer review, based on initial editor screening and anonymous double-blind refereeing by two referees.Recent Special IssuesTokyo and Beyond -Volume 18, Number 3, 2006Censorship in the Japanese Arts - Volume 19, Number 3, 2007 Disclaimer The British Association for Japanese Studies and Taylor & Francis make every effort to ensure the accuracy of all the information (the 8220;Content8221;) contained in its publications. However, the British Association for Japanese Studies and Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not necessarily the views of the Editor, the British Association for Japanese Studies or Taylor & Francis.

Japanese Studies is a fully refereed, international, interdisciplinary journal which publishes scholarly articles on various aspects of Japan, as well as book and film reviews. In addition to general non-thematic editions, the journal regularly publishies guest-edited thematic issues on such themes as postwar politics, environmental issues, literature, citizenship, the legal system, modern technology, management, Japanese language teacher education, and popular culture. These thematic issues are particularly valuable for university teachers and students who use up-to-date studies of Japan contained in the journal to supplement course readings. Contributions are invited from scholars around the world. Ideas expressed by the authors are their own and do not necessarily reflect the views of the editor, the Association, or the Editorial Advisory Board.Peer Review StatementAll research articles in this journal have undergone rigorous peer review, based on initial editor screening and anonymous double-blind refereeing by two referees.All review papers in this journal have undergone editorial screening and peer review.Disclaimer The Japanese Studies Association of Australia and Taylor & Francis make every effort to ensure the accuracy of all the information (the 8220;Content8221;) contained in its publications. However, the Japanese Studies Association of Australia and Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not necessarily the views of the Editor, the Japanese Studies Association of Australia or Taylor & Francis.

As a refereed academic journal with an international editorial board of renowned jazz scholars, Jazz Perspectives provides a broad forum for promoting cross-disciplinary scholarly dialogue across the academic jazz community. Our mission is to stimulate the international study and appreciation of the rich legacy of jazz and its many musical and cultural tangents, both past and present. The journal aims to bridge the jazz-as-music and jazz-as-culture divide of contemporary jazz studies, as well as to promote broader international perspectives on the jazz tradition and its legacy. We likewise welcome the submission of first-rate scholarship from outside the academy. The pages of the journal are devoted to all aspects of - and all approaches to - jazz scholarship. The journal is an open platform for historical inquiry, music analysis, and cultural studies. The journal furthermore includes reviews and essays on significant recent literature and new recordings and media. Peer Review Policy All research articles published in this journal have undergone rigorous peer review, based on initial editorial board screening and refereeing by at least two anonymous external referees. Disclaimer for scientific, technical and social science publications Taylor & Francis makes every effort to ensure the accuracy of all the information (the 'Content') contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.

Jewish Culture and History is an inter-disciplinary journal which brings together the best of current research in Jewish social history with innovative work in Jewish cultural studies. The journal includes cutting-edge research by younger scholars as well as established specialists, as well as reviews of recent publications. The journal explores previously neglected areas of the Jewish experience from a range of different perspectives including Jewish popular culture, social and political history, literary and cultural representation of Jews, and the global contexts of Jewish culture and history. All articles published in the journal have undergone rigorous peer-review, involving initial editor screening and double-blind refereeing.

The purpose of Jewish History, the sole English-language publication devoted exclusively to history and the Jews, is to broaden the limits of historical writing on the Jews. Jewish History publishes contributions in the field of history, but also in the ancillary fields of art, literature, sociology, and anthropology, where these fields and history proper cross paths. The diverse personal and professional backgrounds of Jewish History's contributors, a truly international meeting of minds, have enriched the journal and offered readers innovative essays as well as special issues on topics proposed by guest editors: women and Jewish inheritance, the Jews of Latin America, and Jewish self-imaging, to name but a few in a long list.