Journal Guide

Munibe Antropologia - Arkeologia is one of the journals published by the Sociedad de Ciencias Aranzadi Reserach Centre, which was founded in 1947 with aim of protecting, researching and disseminating our archeological, ethnografic and natural heritage. The journal is targeted at the scientific community, particularly those interested in anthropological issues. It is published once a year, although each issue is accompanied by diverse supplements. It carries out exchanges also with other similar scientific publications, thereby enriching the bibliographic resources of its library. Munibe Antropologia - Arkeologia is included in the Latindex catalogue and is indexed by Anthropological Literature, Francia, Georef and Isoc.

Museum History Journal welcomes the submission of manuscripts, proposals for edited collections of thematically related papers, and proposals for symposium and conference-session proceedings. We interpret "museum" broadly to provide a multidisciplinary forum for studies of a variety of museum-related topics including the histories of institutions, exhibitions, collections, architecture, and individuals’ biographies. Museum types may include not only anthropology, archaeology, art, history, medical, natural history, and science and technology, but related institutions, such as aquaria, arboreta, archives, botanical gardens, historical societies and sites, planetariums, and zoos as well. We also encourage fresh scholarly approaches that integrate historical studies with the methodologies of other humanities and social science disciplines.

View a list of the latest free articles available from Museum Management and Curatorship Museum Management and Curatorship (MMC) is a peer-reviewed, international journal for museum professionals, scholars, students, educators and consultants that examines current issues in depth, and provides up-to-date research, analysis and commentary on developments in museum practice. It is published quarterly and all submitted manuscripts will undergo double-blind review. The journal encourages a continuous reassessment of collections management, administration, archives, communications, conservation, diversity, ethics, globalization, governance, interpretation, leadership, management, purpose/mission, public service, new technology and social responsibility.MMC is committed to an intelligent balance between theory and practice and is relevant to both academics and museum practitioners. It provides an authoritative forum for challenging and debating theories, models and practices that have significant implications for museology throughout the world, while also striving to be as multidisciplinary and interdisciplinary as possible.A leading journal in the museum field for twenty years under the joint editorship of Dr. Peter and C. A. Cannon-Brookes, Museum Management and Curatorship is now edited by Dr. Robert R. Janes, Professor and former Glenbow Museum President. ------------ Now available from Routledge! - Museums in a Troubled World: Renewal, Irrelevance or Collapse? (Robert R Janes). To find out more or to order your copy today click here DisclaimerTaylor & Francis makes every effort to ensure the accuracy of all the information (the 8220;Content8221;) contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.

Museums & Social Issues focuses on the interaction between compelling social issues and the way that museums respond to, influence, or become engaged with them. The journal responds to dynamic and contemporary topics such as race, immigration, health care, democratic process, and representation by featuring theoretical, philosophical, and practical pieces that discuss museums in relation to a range of contemporary issues. Submissions may include a history of the issue, critical questions, philosophical reflections, theoretical positions, examples of exhibits, programs or initiatives that have addressed issue, and a review or bibliography of pertinent books, websites, exhibits and other resources.

Founded in 1982, Music Analysis publishes major orientation articles by respected scholars such as Kofi Agawu, Craig Ayrey, Richard Cohn, Nicholas Cook, Hermann Danuser and Marianne Kielian-Gilbert. The journal has also featured translations of important articles by Adorno, Molino, Ratz, Ruwet and Schenker. Music Analysis is published in association with the Society for Music Analysis (SMA). Click here for the Society for Music Theory (SMT) webpage.

Music Education Research is an international refereed journal which draws its contributions from a wide community of researchers. The focus is firmly on research, and the journal provides an international forum for cross-cultural investigations and discussions relating to all areas of music education.Music Education Research welcomes articles which report on and discuss research and methodological issues from the point of view of philosophy, sociology, psychology and comparative studies. The journal is concerned with the dissemination of ideas relating to practical and theoretical developments in the field.Education is interpreted in a broad sense including teaching and learning; formal and informal contexts; musical development; musical creativity and perception; instrumental/vocal studies; technologies; special needs, community settings; socio-cultural issues; policy; curriculum design and assessment. Music Education Research encourages authors to write in a lucid and accessible style, avoiding impenetrable jargon and taking care to communicate to an international readership.Disclaimer for Scientific, Technical and Social Science publications:Taylor & Francis make every effort to ensure the accuracy of all the information (the 8220;Content8221;) contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis. Peer Review Policy: All articles in this journal have undergone rigorous peer review based on initial editor screening and anonymized refereeing by two anonymous referees from a panel of international scholars and researchers.

Fostering communications between scientists and musicians interested in the study of music phenomena, Music Perception publishes original theoretical and empirical papers, methodological articles, and critical reviews concerning the study of music.

Music Reference Services Quarterly is a refereed journal covering all aspects of the management and use of music collections and services in academic, orchestra, public, conservatory, and performing/fine arts libraries, as well as archives and museums. The Journal emphasizes research related to administration and management, bibliographic instruction, collection development, digital audio delivery, electronic resources, facilities, music librarianship education, preservation of music materials, reference services, cataloging, and bibliographies relating to printed music and audio-visual materials.The Journal publishes conceptual papers, literature reviews, practical case studies and opinion pieces. Regular columns include electronic resource reviews, book reviews and interviews.Peer Review Policy: Manuscripts submitted to this journal undergo editorial screening and anonymous double-blind peer review.Publication office: Taylor & Francis, Inc., 325 Chestnut Street, Suite 800, Philadelphia, PA 19106.

A leading journal in the field and an official publication of the Society for Music Theory, Music Theory Spectrum features articles on a wide range of topics in music theory and analysis, including aesthetics, critical theory and hermeneutics, history of theory, post-tonal theory, linear analysis, rhythm, music cognition, and the analysis of popular musics. The journal welcomes interdisciplinary articles revealing intersections with topics in other fields such as ethnomusicology, mathematics, musicology, philosophy, psychology, and performance.

Music & Letters is a leading international journal of musical scholarship, publishing articles on topics ranging from antiquity to the present day and embracing musics from classical, popular, and world traditions. Since its foundation in the 1920s, Music & Letters has especially encouraged fruitful dialogue between musicology and other disciplines. It is renowned for its long and lively reviews sections, the most comprehensive and thought-provoking in any musicological journal.