The Journal of Historical Sociology was founded in 1988 on the conviction that historical and social studies ultimately have a common subject matter and can only benefit from the interchange of ideas and perspectives. Edited by a distinguished international panel of historians, anthropologists, geographers and sociologists, it is both interdisciplinary in approach and innovative in content. As well as refereed articles, the journal presents reviews essays and commentary in its 'Issues and Agendas' section, and aims to provoke discussion and debate.
Sociology of Religion, the official journal of the Association for the Sociology of Religion, is published quarterly for the purpose of advancing scholarship in the sociological study of religion. The journal publishes original (not previously published) work of exceptional quality and interest without regard to substantive focus, theoretical orientation, or methodological approach. Although theoretically ambitious, empirically grounded articles are the core of what we publish, we also welcome agenda setting essays, comments on previously published works, critical reflections on the research act, and interventions into substantive areas or theoretical debates intended to push the field ahead.Sociology of Religion has published work by renowned scholars from Nancy Ammerman to Robert Wuthnow. Robert Bellah, Niklas Luhmann, Talcott Parsons, and Pitirim Sorokin all published in the pages of this journal. More recently, articles published in Sociology of Religion have won the ASA Religion Section’s Distinguished Article Award (Rhys Williams in 2000) and the Society for the Scientific Study of Religion’s Distinguished Article Award (Matthew Lawson in 2000 and Fred Kniss in 1998). Building on this legacy, Sociology of Religion aspires to be the premier English-language publication for sociological scholarship on religion and an essential source for agenda-setting work in the field. .
Sophia is now published by Springer. The back files, all the way to Volume 1:1, are available via SpringerLink! Covers both analytic and continental philosophy of religion Considers both western and non-western perspectives, including Asian and indigenous Includes specialist contributions, e.g. on feminist and postcolonial philosophy of religion Since its inception in 1962, Sophia has been devoted to providing a forum for discussions in philosophy and religion, focusing on the interstices between metaphysics and theological thinking. The discussions take cognizance of the wider ambience of the sciences ('natural' philosophy and human/social sciences), ethical and moral concerns in the public sphere, critical feminist theology and cross-cultural perspectives. Sophia's cross-cultural and cross-frontier approach is reflected not only in the international composition of its editorial board, but also in its consideration of analytic, continental, Asian and indigenous responses to issues and developments in the field of philosophy of religion.
If interdisciplinary connotes anything, it should be improved communication across disciplines that fosters mutual understanding. This, in turn, advances our understanding of the deeply complex ethical and moral issues facing our world today. Acknowledging the need for diversity and integrity in speaking to these issues, Soundings promotes dialogue, reflection, inquiry, discussion, and action. These activities are informed by scholarship and by the acknowledgement of the civil and social responsibilities of academe to engage the world beyond the ivory tower.
Over the past 40 years, the South African Historical Journal has become renowned and internationally regarded as a premier history journal published in South Africa, promoting significant historical scholarship on the country as well as the southern African region. The journal, which is linked to the Southern African Historical Society, has provided a high-quality medium for original thinking about South African history and has thus shaped - and continues to contribute towards defining - the historiography of the region. The South African Historical Journal publishes a wide variety of material, encompassing issues ranging in time from those around pre-colonial communities to those pertinent to a society in transition in the early 21st century, the practice and teaching of history and debates about heritage and the commemoration of the past. It includes ground-breaking innovative research, general historical and historiographical overviews, historical debates, interviews with historians and reflections on their work, review articles and critical reviews of important books. The journal is peer reviewed and evaluated by the editors, editorial board and other international specialist referees. The Journal is fully accredited in South Africa, it is listed in the Thomson Reuters Arts & Humanities Citation Index and its contents are accordingly cited, annotated, indexed and/or abstracted. Routledge History Promote Your Page Too.
The South African Journal of African Languages is a peer-reviewed research journal devoted to the advancement of African (Bantu) and Khoi-San languages and literatures. Papers, book reviews and polemic contributions of a scientific nature in any of the core areas of linguistics, both theoretical (e.g. syntax, phonology, semantics) and applied (e.g. sociolinguistic topics, language teaching, language policy), and literature, based on original research in the context of the African languages, are welcome. The journal is the official mouthpiece of the African Language Association of Southern Africa (ALASA), established in 1979.
The South African Journal of Philosophy publishes original contributions (articles, discussions of articles previously published, review articles and book reviews) within any field of philosophy. The South African Journal of Philosophy is indexed in The Philosopher's Index, Current Contents/Arts & Humanities, IBZ & IBR, Bio Sciences Information Service, Revue Philosophique de Louvain, Repertoire bibliographique de la Philosophie, Tijdschrift voor Filosofie bibliografisch reperiorium.
South Asia is a refereed journal published under the authority of the South Asian Studies Association of Australia. It is published three times a year, in April, August and December. Its mission is to provide a forum for scholarly research, comment and discussion on the history, society, economy, culture and international relations of the South Asian region from the earliest times to the present day. Ordinarily there are two general issues each year, and one dedicated to a topical theme. Published since 1971, South Asia is the world's senior journal of record for the South Asian region.The South Asian Association of Australia represents scholars whose interests are in the South Asian region. It is not strictly focussed, either geographically or by discipline. Generally, it covers countries such as India, Pakistan, Bangladesh, Afghanistan, Sri Lanka, Nepal and the Himalayan states but the diasporic nature of south Asian cultures and the supra-national influences on the region mean that the interests of scholars may extend well beyond the borders of these states. South Asia is generously supported by the Monash Asia Institute, Monash University, Australia, and the University of New South Wales, Australia. For more information on how to join the Association, please contact Vivien Seyler. Email: Vivien.Seyler@adm.monash.edu.au. Members of the South Asian Association of Australia will receive South Asia as part of their membership.Peer Review StatementAll research articles in this journal have undergone rigorous peer review, based on initial editor screening and anonymous refereeing by two referees.Manuscripts for submission, should be addressed to the Joint Editor: Kama Maclean, southasiaeditor@unsw.edu.auBooks for Review should be sent to:Irfan Ahmad, School of Political and Social Enquiry, Monash University, P.O. Box 197, Caulfield East, Vic. 3145, AustraliaDisclaimer: The South Asian Studies Association of Australia and Taylor & Francis make every effort to ensure the accuracy of all the information (the "Content") contained in its publications. However, the Society and Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not necessarily the views of the Editor, the Society or Taylor & Francis.
South Asian History and Culture offers a forum that will provide an integrated perspective on the field at large. The journal aims to bring together research on South Asia in the humanities and social sciences, and to provide scholars with a platform covering, but not restricted to, their particular fields of interest and specialization. Such an approach is critical to any expanding field of study, for the development of more informed and broader perspectives, and of more overarching theoretical conceptions. The idea is to try to achieve a truly multidisciplinary journal on South Asian history and culture, under which the established (e.g. economic history, politics, gender studies) and more recent disciplines (e.g. minority rights, sexuality studies) will interact and enmesh with each other. A focus will also be to make more mainstream the more recently developed disciplines in the field of South Asian studies, which have to date remained specialized fields, for instance research on film, media, photography, sport, medicine and the environment. A significant concern for this journal is to focus across the region known as South Asia, and not simply on India, as most 8216;South Asia' forums inevitably do. We are most conscious of this gap in South Asian studies and will work to bring into focus more scholarship on and from Pakistan, Bangladesh, Sri Lanka, Nepal and other parts of South Asia. Peer Review StatementAll research articles in this journal will undergo rigorous peer review, with initial editor screening and anonymized refereeing. Disclaimer Taylor & Francis makes every effort to ensure the accuracy of all the information (the 8220;Content8221;) contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.
South Asian Popular Culture is an interdisciplinary journal designed to respond to the growing interest in South Asian popular culture within the different subject disciplines in the social sciences and humanities. South Asian popular culture is defined in a broad and inclusive way to incorporate lived and textual cultures, the mass media, ways of life, and discursive modes of representation. Central to the formation of popular cultures are articulations of the economic, social and political spheres and the journal welcomes contributions that will highlight these issues.South Asian Popular Culture is of interest to cultural, media, and film studies, as well as social geography, history, diaspora studies, postmodern and postcolonial theoretical formulations, and contributions are invited from these fields. The journal critically examines from theoretical and empirical perspectives the production, distribution, and consumption of South Asian popular cultural forms within the subcontinent and across international borders. Attention to the use of popular cultures in the South Asian diasporas as well as the development of traditional cultural practices in forging hybrid forms is also an important focus. As such the journal is a forum for authors from around the world.The journal of South Asian Popular Culture seeks to serve as an innovative and informative venue to discuss and debate the emergence and vibrancy of new forms of social, economic, cultural and political strategies and representations including those in film, music, radio, television, the press, fiction, sports, visual and cyber cultures, fashion, dance and sexuality. These forms, in fact, pose a challenge to be understood within a context of culture that enshrines a transnational focus and open attitude towards difference and diversity. The journal also encourages the exploration of how South Asian cultural practice has developed within wider parameters of transnational policies of art and culture.South Asian Popular Culture also features a regular section entitled Working Notes that includes contributions from cultural practitioners within South Asian popular culture (film, radio, and television makers, musicians, artists, personnel, cultural activists, fashion designers, and sexuality campaigners). It offers original insights into their work and current debates by way of interviews, diary notes, short essays, visual images and discussions.Peer Review Policy:All research articles in this journal have undergone editorial screening and anonymous peer review. DisclaimerTaylor & Francis makes every effort to ensure the accuracy of all the information (the 8220;Content8221;) contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.
South Asian Studies is the internationally refereed journal of the British Association for South Asian Studies (BASAS). SAS has appeared annually since 1985, and incorporated the earlier Afghan Studies, and has established itself as the UK's leading journal devoted to the visual and material cultures of South Asia, and the only major journal outside the subcontinent devoted entirely to this field. Its disciplinary focus embraces all aspects of visual and material culture, including art, crafts, archaeology and architecture, while it welcomes contributions on textual, historical, religious, sociological, ethnographic and other themes wherever these throw light on the journal's core areas of interest. The geographical focus of the journal is that of BASAS: India, Pakistan, Bangladesh, Afghanistan, Sri Lanka, Nepal, Bhutan, Maldives, and the South Asian diaspora. SAS regularly includes South Asia-related material dealing with neighbouring regions. The journal's chronological frame is from pre-history to the present.South Asian Studies aims to publish new research contributing theoretical and analytical insight. At the same time it provides a much needed forum for articles in which the principal contribution is in bringing to light interesting material previously unpublished. With its visual emphasis, South Asian Studies takes a generous approach to illustrations, which are not seen as mere adjuncts to text. It especially welcomes submissions with original drawings and photographs, and aspires to a high quality of design and layout.DisclaimerThe British Association for South Asian Studies and Taylor & Francis make every effort to ensure the accuracy of all the information (the "Content") contained in its publications. However, the British Association for South Asian Studies and Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not necessarily the views of the Editor, the British Association for South Asian Studies or Taylor & Francis.